INVERTED REALITY AND CULTURAL RESPONSE TO MODERNITY IN WOLE SOYINKA’S THE LION AND THE JEWEL (LE LION ET LA PERLE)
Keywords:
Soyinka’s postcolonial drama, African cultural nationalism, tradition versus modernityAbstract
African dramatic literature is a product of and a response to the society which informs its creativity. Nigerian playwrights such as Wole Soyinka, therefore, have been generating ideas for their dramatic creativity from the trajectory of events that occur at their remote and immediate environments. With the qualitative approach of textual analysis and literature review, the article adopts tenets of postcolonial theory to critique Wole Soyinka’s The Lion and the Jewel (Le Lion Et La Perle) – a play that has been critiqued by some scholars from the perspectives of culture/ideological conflicts. The socio-cultural relevance of the play, perhaps, has informed its translation into French language. For this article, however, the English version of the play is used based of the fact that English has wider coverage in literary discourses. With the theoretical and analytical approach in this article, the play is discussed beyond the spectra of culture and ideological conflicts by considering its characterization and plot. The cultural response to modernity is the advocacy for cultural synthesis of tradition and modernity for sustainable modernity.
References
Akoh, A. D. (2023). The Subaltern Can Write: Theory, Criticism and Power in African Dramatic Literature. Ebonyi: Committee on Inaugural and Public Lectures.
Barthes, R. (1970). S/Z. London: Longman.
Bhabha, H. K. (2004). The Location of Culture. London: Psychology Press.
Blom, A. (2002). Ambiguous Political Space: Chiefs, Land and the Poor in Rural Mozambique. In: Webster, N. & Engberg-Pedersen, L. (eds) In the Name of the Poor: Contesting Political Space for Poverty Reduction. New York and London: Zed Books.
Boehmer, E. (2005). Colonial and Postcolonial Literature: Migrant Metaphor. Oxford: Oxford University Press.
Du Bois, W. E. B. (1997). The Souls of Black Folk. Ed. Blight, D. W. & Gooding-Williams, R. Boston, MA: Bedford. (Original work published 1903)
Eagleton, T. (1991) Ideology: An Introduction. London and New York: Verso.
Fashina, N. O. (2023). Text, Grammattology and the Automation of Theories in (African) Literary Discourse. Ibadan: Ibadan University Press.
Galland, O. & Lemel, Y. (2008). Tradition vs. Modernity: The Continuing Dichotomy of Values in European Society. Revue française de sociologie, 6(1).
Gramsci, A. (1971). Selections from the Prison Notebooks. Ed. & Trans. Hoare, Q. & Nowell Smith, G. London: Lawrence and Wishart.
Gyekye, K. (1997). Tradition and Modernity. New York and Oxford: Oxford University Press.
Haste, H. (1993). The Sexual Metaphor. New York: Simon and Schuster.
Layiwola, D. (2010). A Place Where Three Roads Meet: Literature, Culture and Society. Ibadan: Ibadan University Press.
Tyson, L. (2006). Critical Theory Today. New York and London: Routledge.
Malik, H. A. & Malik, F. A. (2022) Emile Durkheim Contributions to Sociology. International Journal of Academic Multidisciplinary Research (IJAMR), 6(2), pp. 7–10.
Osundare, N. (1993) African Literature and the Crisis of Post-Structuralist Theorising. Ibadan: Options.
Petkovic, J. (2007). Traditional Values and Modernization: Challenges in Forming Urban and Rural Culture. Philosophy, Sociology and Psychology, 6(1), p. 23–39.
Said, E. (1994). Culture and Imperialism. New York: Knopf Doubleday Publishing Group.
Schaniel, W. C. (1988). New Technology and Culture Changes in Traditional Societies. Journal of Economic Issues, 2(1), pp. 491–502.
Senyojo, J. (2004). Traditional Institutions and Land. Available at: www.federo.com/Pages/TraditionalInstitutionsandland.htm
Soyinka, W. (1962). The Lion and the Jewel. Oxford, United Kingdom: Oxford University Press.
Ngugi wa Thiong’o. (2007). Decolonizing the Mind: The Politics of Language in African Literature. Delhi: Worldview Publication.