INSTRUMENTAL MUSIC BY M.ATAJANOV IN THE CLASS OF ACCOMPANIMENT SKILLS
Keywords:
pianist-accompanist, folk instruments, Kashgar rubab, dynamics, climax, piano part, ensemble, symphony, soundAbstract
This article highlights one of the actual problems of the modern accompaniment art in the works of composers of Uzbekistan. The object of the research is the work on pieces for Kashgar rubab by Mukhammadzhan Atajanov, created in the years of Independence of Uzbekistan. Purpose of the work: pieces for Kashgar rubab by Mukhammadzhan Atajanov, questions of analysis and performing interpretation in the class of accompaniment mastery. The results will help to comprehend and understand the process of interaction between the accompanist and instrumentalist more deeply, and will also help to improve the quality of training of young pianists-accompanists in the field of accompaniment art.
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