ONTOLOGICAL INTERPRETATION OF INTRODUCTION OF EPOS “KHAMSA”

Abstract

This article analyzes the ontological approach to the works of Alisher Navoi as a literary text, which gives an objective result in revealing the original meanings of the text, reflecting the worldview of its author. A literary text is a reflection of human thinking, an insight. The universe manifests itself in human perception. The article deals with the ontological layer of Alisher Navoi’s creativity, the irrational perception of the poet, worldview and ontological problems are closely interconnected, because the system of the personality’s worldview and the product of his creativity is an interconnected single phenomenon. The analysis of metaphorically complex ways of expressing Uzbek classical literature based on Islamic ideas, the interpretation of the contradictory structure of meanings in its outer and inner layers, the experience of transpersonal experiences, the definition of a hermeneutic model requires an ontological approach to the text. The analysis of the literary text was carried out on the basis of the criteria of Islamic interpretation (tanzih-tashbih, tanzih-takdis), which determine the level of the poet’s ontological thinking. It is known that the theoretical views of the thinkers of the Islamic world are expressed on the basis of such pairs as asl-far, zahir-botin, tanzih-tashbih, lafz-mano, nasr-nazm. The ontological approach to a literary text allows one to objectively interpret the content of the artistic perception of the Islamic form of thought, uniting parts of the text system. The article discusses the boundaries of imagination, the ontological worldview of Alisher Navoi, based on pairs of figurative symbols, such as dot and compass, dot and circle, marine environment and island, poetry (jam) and prose (parishon, oshufta, tafrika), notebook and leaf, sun and a particle of rays (or partav), a candle and a mother.