CENTRAL ASIAN RENAISSANCE STUDIES

Статьи

• SOVIET ORIENTALISM AND THE IDEOLOGICAL RECONSTRUCTION OF HISTORICAL MEMORY: THE REPRESENTATION OF ALISHER NAVOI IN SOVIET CINEMA

  Roʻziboyev Dostonbek Dilmurod oʻgʻli

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• THE ROLE OF SCHOLAR MAMAJON RAHMONOVICH RAHMONOV IN THE DEVELOPMENT OF UZBEK THEATRICAL ART

  Nizom Abdurakhmonovich Tangirov, Guzal Nuritdinovna Kadirova

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• HUMANISTIC INTERPRETATION OF ECONOMIC ISSUES IN ALISHER NAVOI’S PHILOSOPHY

  Norov Toji Omonovich

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• IGNAZ GOLDZIHER’S RESEARCH ON SAHIH AL-BUKHARI

  Bekchanova Manzura Shukhratovna

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• PRINCIPLES FOR DETERMINING INTERLEVEL GRAMMATICAL MINIMUMS IN TEACHING UZBEK TO ENGLISH SPEAKERS

  Israfilov Doston Omonulla oʻgʻli

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• THE SOCIO-POLITICAL AND CULTURAL SIGNIFICANCE OF THE JADID MOVEMENT

  Amirov Azamat Odil ugli

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• ANALYSIS OF CONTEXT-DEPENDENT UNITS IN MACHINE TRANSLATION BASED ON A PARALLEL CORPUS (A CASE STUDY OF THE PARATRANSLATOR.UZ PLATFORM)

  Nilufar Abdurakhmonova Zaynobiddinovna

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• PRAGMATIC EXPRESSION OF LINGUISTIC ECONOMY WITHIN THE THEORY OF SPEECH ACTS

  Archabayeva Nargiza Nasimovna

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• PHILOSOPHY AND RELIGION AS THE FOUNDATION OF HUMAN SPIRITUALITY

  Munira Islomovna Khojaqulova

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