INTERPRETATION OF IDEAL HISTORICAL IMAGES IN HAMSA

Abstract

In the article, historical images that play an important role in the artistic system of "Khamsa" by Alisher Navoi are divided into three types - ideal, real and metaphorical historical images. The author of the first of them is a scientific analysis of ideal historical images. The aesthetic principles of the artistic interpretation of ideal historical images within the framework of the five epics of "Khamsa" are studied in the context of world literature. Ideal historical images, their internal ramification, the poetic significance of their repetition in the composition of five epics, the artistic goal and the role of the author in expressing the aesthetic ideal are discussed. The ideal historical image, poetic scope, ethical and aesthetic status of the image of Muhammad from the point of view of the historical chronotope, most often mentioned in the play, is confirmed by the analysis of specific quotations from the epic. Other prophets (peace and blessings be upon him), whose names are mentioned in the Quran, also focus on the compatibility of the images of the four great Companions (peace and blessings be upon him) with images of Muhammad (peace and blessings be upon him) in terms of content and art.