SADOIY VA G‘OZIY DEVONLARIDA ALISHER NAVOIY AN'ANALARI (HAMD, NA'T, MUNOJOT VA MANQABAT MAVZULARIDAGI G‘AZALLAR MISOLIDA)
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devon, mavzu, g‘oya, timsol, badiiyat, an'ana va o‘ziga xoslik##article.abstract##
Adabiy vorisiylik ijodiy ilhomlanish, buyuk iste'dodga taqlid qilish va ergashish tushunchalari o‘ziga xos yuksak saviyadagi madaniy, adabiy hodisa bo‘lib, Sharq mumtoz adabiyotining eng muhim xususiyatlaridan biridir. Bu madaniy-adabiy jarayonda shakllangan san'at tarmoqlaridan qay biriga nazar tashlanmasin, asosiy maqsad «o‘zidan oldingidan» o‘rganib, uning g‘oyasi va badiiy mahoratini rivojlantirgan holda «yangilash» ekanligi oydinlashadi.
Maqolada Alisher Navoiyning ijodxonasida kasbi kamolga yetgan Mirhasan Sadoiy va Muhammad G‘oziy devonlaridagi hamd, na't, munojot va manqabat mavzularidagi g‘azallarida an'ana va o‘ziga xoslik masalalari tadqiq etilgan. Shoirlarning bunday mavzudagi she'rlarida salaflar an'analarining badiiy takomili g‘oyaviy-badiiy jihatdan tahlilga tortilgan.
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