GENESIS OF FARKHOD IMAGE IN CLASSICAL LITERATURE AND TRADITIONS OF ITS EXPRESSION IN NAVOI POETRY
Keywords:
Oriental classical literature, tradition and novelty, history of Farkhod, image and symbol, poetry of Alisher Navoi, transformational image, expression and image, poetic function, epic and lyrical interpretationAbstract
The phenomenon of image transformation in the East, especially in Uzbek classical literature, is a world in itself. In this case, one of the most productive images are artistic emblems formed on the basis of sympathy. Especially the same tradition in Alisher Navoi's poetry is extremely attractive and wide-ranging. It is known that in the classical literature of the East-Islam "Khamsa" appeared as a unique phenomenon, as a new discovery of artistic thinking. Although the reality is revealed on the basis of certain plots and heroes, all issues of social and spiritual life are explored in the play as a whole and in separate epic forms. It is usually an immortal tradition dedicated to the expression of living, lifelong issues, such as the philosophy of morality and wisdom, the interpretation of the perfect human figure, the metaphor and truth, the definition of love, the description of a just king and a just society.
This scientific article discusses the artistic interpretation of the image of Farkhod in Alisher Navoi's collection of poems "Favoyid ul-kibar". It reveals the artistic and aesthetic features of the poetic landscapes represented by the image of Farkhod. It also provides a scientific analysis of the descriptions, details, and episodes that occur during the image transformation process.
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