ARTISTIC INTERPRETATION OF MAQAM OF FAQR AND IMAGE OF FAQIR IN THE WORKS OF ALISHER NAVOI

Abstract

This article examines the artistic interpretations of the status and images of poverty in mystical teaching in the works of Alisher Navoi. The author of the article has first studied the definitions of the status of poverty in Islamic history, the latest mystical teachings, and other areas of thought and opinion. The history and definitions of the word «Faqr»  were written by the first authors of mysticism, such as Abu Nasr Sarraj, Abu Talib Makki, Shahabuddin Suhrawardi and Ali ibn Usman Hujviri, as well as from the representatives of the Naqshbandi sect belongs to Alisher Navoi, Khoja Bahauddin Naqshband. In addition, special encyclopedic dictionaries of authors such as Sayyid Ja'far Sajjadi, Abdulboki Hiylaman, Aliakbar Dehhudo and Sulaymon Uludagh were used. Then attention is paid to the various interpretations of poverty in mystical literature. Alisher Navoi's own works were mostly used for comparative interpretations in fiction. Navoi's lyrical works were selected as the main object of analysis, and the ideas in the works of friends and prose before him were involved in a comparative analysis. Navoi's views on the reality of his work are surrounded by artistic interpretations of images such as the poor, the gado, the dervish, which they embody. At the end of the article summaries are made.