THE ART STUDIES OF JIRAWING- ONE ACTOR INSTANCE OF THEATRE

Authors

  • Pirnazarov Saubet Maxsetbayevich
  • Ayapov Salamat Baxievich

Keywords:

Jiraw, theater, jir, epic, actor, one-actor theater, stage, national, play

Abstract

This article talks about the emergence of the art of pawning in the Karakalpak National Theater and the fact that the art of pawning fully meets the criteria of a one-actor theater. In the development of our national theater and national values ​​to this day, it is said about the role of bailment and the instrument of bailment, Qobyz.

References

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Ańsatbaev N. Teatr hám aktyor. – Tashkent: Navruz, 2020.

Ayımbetov Q. Xalıq danalıg’ı. – No‘kis: Qaraqalpaqstan, 1968.

Bayandiev T., Sayfullaev B. Qaraqalpaq saxnasınıń Berdaq shayırı. – Tashkent: Navruz, 2014.

Tursınov B. Dramaturgiya ha’m teatrimizdin’ ma’seleleri. – No‘kis: Qarakalpaqstan. 1988.

Tursunov T. Saxna hám zaman. – Tashkent: Jańa ásir áwladı, 2007. – 404 b.

https://ru.wikipedia.org/wiki/Крик_(театр)

Published

2023-01-04