КИНОЯНИНГ ОҒЗАКИ, ВАЗИЯТЛИ ВА ДРАМАТИК КЎРИНИШЛАРДА ҚЎЛЛАНИЛИШ АҲАМИЯТИ
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маъно, прагматика, ғайриинсоний, интимизация (сўзлаш усули), коммуникатив, ўз-ўзини бошқариш, лингвопрагматик асос##article.abstract##
Мазкур мақолада матндаги киноянинг функциялари, сўзнинг контекст-киноявий маъносини ўзгартиришнинг луғавий-прагматик жиҳатлари аниқланган. Истеҳзо бу бадиий матннинг муаллифга намойиш этилаётган воқеликка ҳиссий-баҳо муносабатини билдириш имконини берувчи муҳим концептуал категория эканлиги ўрганилган.
Киноя таърифларининг аксарияти, киноя худди ташқи кўриниш билан ҳақиқий воқелик ўртасидаги зиддиятни ўз ичига олади деган фикрга ўхшайди. Бошқача қилиб айтганда, ҳақиқат деб тахмин қилинган ва асли ҳақиқат ўртасидаги фарқдир. Киноя бу ёзувчи турли сабабларга кўра, хоҳ ҳазил бўлсин, хоҳ кулгили ҳолат, ўз ижодида ишлатиши мумкин бўлган кўплаб адабий усуллардан биридир. Эътибор бериш ва тушуниш учун ҳам ушбу адабий восита фойдали. Фақат шуниси борки, ҳар бир халқда у ўзига хос кўринишларда ифода этилиши жиҳатидан фарқланиб туради.
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