PERSONALIZATION OF CHARACTERISTIC FEATURES OF HAMLET’S IMAGE IN TRANSLATIONS

Abstract

In this article are learned the translations of the tragedy “Hamlet” by the bright representative of world playwrighting William Shakespeare. Here, demonstrated the advantage of direct translation made by talented translator J. Kamol.

In the present paper, an attempt is made to examine the tragedy, to identify distinctions of direct and indirect translations, to analyze the ways of recreation of poetic similitude, metaphors, prosaic images and figurative means in the texture of Hamlet’ speech.

The problem field of this paper lies in the complexity of the translation from English into Uzbek: the differences in the way of the organization of poetic speech, quantitative and qualitative differences of poetic means, poetic features, images, figurative means, the ways of recreation of idea and spirit of the original, peculiarities of direct and indirect translations, translational transformations.

The author has carried out a detailed analysis of the original of tragedy by Shakespeare in comparison with J. Kamol’s, M. Shaykhzoda’s, B. Pasternak’s and M. Lozinskiy’s translations. It shows the peculiar skills of each translator in adequate rendering of the whole entity of the tragedy.

The comparative table shows the degree of compliance with the original in the devices chosen by the translators.

The direct translation of Shakespeare’s tragedy by J. Kamol testifys to the maturity of the national schools of literary translation in Uzbekistan while his texts have been viewed as models by subsequent generations of interpreters.