THE HARMONY OF SAMARKAND CHILDREN'S FOLKLORE DANCES WITH MUSICAL ART

Abstract

It is important to acquaint the younger generation with the history of fine art, its magnificent features, specific ways of self-expression, through folklore and ethnographic termas, lapars, songs and dances performed by our ancestors with a tremor of the heart. One of the most important tools that connected primitive people with nature quickly and influenced their psychology were songs and dances. Usually such songs were performed on calendar labor holidays and wedding ceremonies, dedicated to various natural phenomena. The orientation of seasonal songs and dances towards a specific goal was considered the basis of their musical and poetic content, and artistic formation, and a system of movements. The peculiarities of children's folk dance art are also fully reflected in the interaction of the processes of performance and creativity, inextricably linked with the national character of the people. Indeed, in some ways, young children look at dancing as a simple play. It is clear that children's games and dances have their own commonality. Therefore, it is important that the younger generation be brought up in every possible way harmoniously, in particular, physically healthy. Physical development is largely harmonized with movement, and movement, in turn, with musical rhythms. In this article, we will consider the harmony of Samarkand children's folk dances with musical art, artistic and aesthetic features, as well as specific ways of expression.