SPECIFICITY OF THE LANGUAGE OF ZULFIYA KUROLBOY’S WORKS

Abstract

The most difficult task in literature is the ability of a poet or writer to find his own path, to distinguish himself from others both in language and style, and in his ability to choose words. In a globalizing society, attention is paid to deepening relations between people and exacerbating conflicts. In a work of art, the author’s worldview and aesthetic ideal are fully reflected in the entire content of the work, that is, starting with the plot, conflict, character system and artistic findings. Through artistic analysis of people, their relationships, struggles and conflicts, the writer reveals the spirit and essence of the time in which they lived. Analysis of the language and style of a particular writer, who has a unique manner of expression, is important in studying the dynamics of the development of the Uzbek literary language. In subsequent years, the possibilities of linguapoetic analysis based on the anthropocentric paradigm expanded, and the principles of complex research began to be adopted. Therefore, in artistic discourse, which expresses thoughts concisely and laconically, as a linguo-poetic means that ensures expressive efficiency, the multi-layered communication characteristic of the Uzbek mentality is manifested. In his works, the author relies on the peculiarity of the active use of phraseological units in speech style, uses many expressions in places that characterize a person’s individual character, mental state, and tension in relationships. This article examines the linguistic features of the works of Zulfiya Kurolba, the unique ways of using the author’s words, and the mastery of using elements that ensure the attractiveness of the work.