STYLE AND IMAGE IN JAMAL KAMAL MUHAMMAS

Abstract

Jamal Kamal's work is a continuation of the traditions of classical word artists such as Alisher Navoi, Zahiriddin Babur, Baborahim Mashrab, Zakirjon Furqat in terms of form and content, brightness. This is more evident in the genre diversity of poet creativity. Jamal Kemal is the unique successor of our classical literature to the new literature. He has been fond of Oriental classical literature since his childhood. This love is manifested in the memorization of the poet's gazelles in his childhood and the perception of the meanings hidden in his chests, which later, when formed and began to be recognized as a creative, the passenger acts as a star. He began to write neboiyana lines, the independent muhammas ended, muhammas bound to the poet Gazals. This process Z.Bobur, Fuzuli, Mashrab, Furqat and the great representative of our modern literature E.Vahidov went further full in the tahmis muhammas, tied to the Gazans. This article focuses on the poet's muhammas.